2006-2007 Acrylic on Paper

Localised-Rikki Kasso ©
Untitled

2006
acrylic latex on paper
45.2 x 61 cm

 

Walls of Belrin 2-Rikki Kasso ©.jpg
Walls of Berlin (Flower Face)

2007
acrylic latex on paper,
45.2 x 60.9 cm

 

Walls of Belrin 1-Rikki Kasso ©
Walls of Berlin (Tied Up)

2007
acrylic latex on paper,
45.2 x 60.9 cm

 

Living in the Future-Rikki Kasso ©.jpg
Untitled (Venus Man Trap)

2006
acrylic latex on paper
45.2 x 60.9 cm

 

Rikki Kasso-Works on Paper 10
Trilogy

2006
acrylic latex on parchment paper
55 x 60 cm

 

Rikki Kasso-Works on Paper 3
Broken Rules of the Weak

2006
acrylic latex on parchment paper
50 x 65 cm

 

Rikki Kasso-Works on Paper 2
Symphony Score

2006
acrylic latex on parchment paper
50 x 54.2 cm

 

Rikki Kasso-Works on Paper 1
Dreaming Child

2006
acrylic latex on parchment paper
50 x 65 cm

 

Rikki Kasso-Works on Paper 0
Issues and Tissues

2006
acrylic latex on parchment paper
50.1 x 60.5 cm

 

 

2002 Acrylic on Paper

Princest Diary, 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Sisters, 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Baby Face, 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Fucking Face It, 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Untitled (Virgin Skull), 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

The Last Kiss Was Practice, 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Untitled (Bethany), 2002

acrylic latex on paper

45.2 x 60.9 cm

 

 

Licking Kitty, 2002 

acrylic latex on paper

45.2 x 60.9 cm

 

 

Untitled (Sad Boys), 2002

acrylic latex on paper

45.2 x 60.9 cm

 

The Pantaku

 

 

 

 

The Pantaku, Tokyo Catch  (Diptych), 2010,
sumi ink on rice paper, dimensions variable

Inspired by the Japanese tradition of Gyotaku prints originating from the mid-19th century fishermen documenting their catch. Over time the prints were used  as an early form of photo transfer to record the memory of the catch before it is eaten. As well as a subtle boasting charm to show off to the other fishermen and family members. In this same process I have made transfer prints on rice paper of the underwear from women I have experienced and remain in my memory.